Branditify

Social media marketing & management

One brand. Different feeds. No copy-paste.

We plan and run social media around what the brand actually needs to say, how each platform is genuinely used, and what the response tells you to make next.

See one idea, three ways

ArcoSummer drop

Built lighter for everyday movement.

  1. Instagram

    Sample image

    Lighter than last summer. Everything else stayed exactly where it was.

    Feed post

  2. LinkedIn

    We took 180g out of the frame without changing the geometry.

    Text-led

    We took 180g out of the frame without changing the geometry.

    Text post

  3. Short video

    Why is this one lighter?

    Built lighter for everyday movementSample video

    Why is this one lighter?

    Reel / Short

One campaign idea

Is this available in a smaller size? Which is a size-guide post nobody had thought to make.

Illustrative campaign · sample content

Before the calendar

Start with what the business actually needs people to understand.

Platform is the last decision, not the first one.

Social media marketing combines strategy, content planning, platform-specific creative, publishing and learning from audience response. What it should look like depends on what the brand needs social media to achieve and where its audience genuinely spends attention — which is why the useful conversation starts with the message rather than with how many posts a week.

  1. The business goalSell the new frame to people who already ride
  2. The audiencePeople carrying a bike up stairs, not collectors
  3. What they need to understandIt is lighter, and nothing else was compromised to do it
  4. The content angleShow the weight difference where it is actually felt
  5. Then the platformAnd only then, how each one wants to be told

A calendar built before those five lines is a calendar of guesses with dates on it.

The same idea

Consistency is not posting the same thing three times.

What stays the same is the argument. What changes is how it is told.

Being consistent on social means the message, the voice and the brand are recognisable everywhere — not that the same asset is cross-posted. Format, hook, pace, copy depth and call to action should change on every platform, because each one is used differently. A post that works on LinkedIn and is copied to Instagram usually fails on both.

ArcoSummer drop

Built lighter for everyday movement.

The new frame is 180g lighter with the same geometry, which matters most to people carrying it up stairs every day.

Choose a platform to see what changed and what did not.

arcoFeed post
Sample image

arco Lighter than last summer. Everything else stayed exactly where it was.

Summer drop · link in bio

ArcoText post

We took 180g out of the frame without changing the geometry.

The interesting part was what we had to leave alone. Three things we tried first, and why the fourth one worked — in the comments.

Sample image
arcoReel / Short

Why is this one lighter?

Built lighter for everyday movementSample video

0:00 the question · 0:03 the frame in hand · 0:09 the difference · 0:12 where to get it

Visual first. The caption is the second thing anyone reads.

Same on every platform

  • The message
  • The voice
  • The campaign
  • The brand system

This column does not change when you switch platform. That is the brand.

Different, on purpose

Format
One strong still, shot in use rather than on white
Hook
The image is the hook. The first four words carry the rest
Pace
Read in about two seconds
Copy depth
One line, one detail, no explanation
Call to action
Soft — the profile does the work

Every execution here carries the same four things in the SAME column. That column is the brand. The other one is the craft.

What we post about

Pillars make consistency possible without making it repetitive.

A small number of recurring reasons to post, not a theme for every day.

Content pillars are the handful of recurring subjects a brand has a genuine right to talk about — its product, the proof that it works, its point of view, the people behind it and what it can usefully teach. They exist so that planning is a matter of choosing what to say next rather than inventing a reason to post at all.

  1. Product & offerWhat it is, what is new, what it costs to care aboutThe lighter frame, shown in use
  2. Proof & useSomebody real, using it, in a real situationSix months of commuting, unretouched
  3. Point of viewWhat this brand believes that others do notWhy we did not chase the lightest possible number
  4. People & processThe making, the team, the decisionsThe three prototypes that did not work
  5. Education & helpUseful whether or not they buyHow to tell if a frame actually fits you

The Summer drop campaign sits mostly in product and proof, and borrows one post from point of view. Most campaigns use two or three pillars, not all five.

Almost every brand already has more to say than it is saying.

Useful social content usually already exists inside the business: the products and what is changing about them, the questions customers keep asking, proof of the thing being used, the process and the people behind it, and a point of view worth stating. Content invented to fill a calendar is obvious, and it is what makes an account feel like an obligation.

Products and what changed
Including the decisions behind the change
Questions you keep being asked
If three customers asked, three thousand wondered
Proof and real use
Somebody using it, in a place that looks real
Process and people
How it is made, and who made it
A point of view
The thing you believe that your category does not
Things actually worth announcing
And nothing that is not

What we will not do is chase a trend that has nothing to do with the brand so that something goes out on Thursday.

How it gets made

From an idea to something scheduled, with a person saying yes in the middle.

The approval step is where most social workflows quietly fall apart.

Social media management includes planning what to post, briefing and producing the creative, getting it reviewed and approved, scheduling it, publishing it and handling what happens afterwards. The part that decides whether it runs smoothly is the approval loop: who reviews, what they are reviewing, and how long it can sit there before the moment has passed.

  1. 01IdeaFrom a pillar, a campaign, or something that actually happened
  2. 02BriefMessage, platform, format, and what it has to achieve
  3. 03MakeCopy, design or video — whatever this one needs
  4. 04ReviewOne place, one deadline, one set of comments
  5. 05ApproveOr one revision, and then approve
  6. 06ScheduleInto the calendar, at the time that platform rewards
  7. 07PublishAnd the work continues past this point

What review actually looks like

DraftLighter than last summer. Everything else stayed exactly where it was.

CommentCan we say the weight? People will ask anyway.

RevisedLighter than last summer — 180g of it. Everything else stayed exactly where it was.

One round, one comment, one revision. Which is what a workflow is for: not to make approval formal, but to make it fast enough that the content is still timely when it goes out.

How often

There is no correct number of posts per week.

There is a rhythm the brand can actually sustain, which is a different question.

There is no useful universal posting number. Frequency should be sustainable for the brand, appropriate to the platform, and high enough to keep a consistent presence without filling the calendar with weak content. A brand posting three genuinely good things a week beats the same brand posting seven, five of which nobody needed.

  1. MonLIThe 180g decisionapproved
  2. TueIGFrame in use, stairsscheduled
  3. Wed
  4. ThuVIDWhy is this lighter?in review
  5. FriIGSize guide, carouseldraft
  6. Sat
  7. Sun
  • Purpose
  • Format
  • Platform
  • Status
  • Date
  • Owner

Three empty days is not a failure of the calendar. It is what makes the other four worth opening.

After publish

The brand keeps talking after the post goes up.

The comments are not a side effect. For a lot of people they are the brand.

Community management is part of social media management where it is in scope: replying to questions, handling the ones that are really customer service, and knowing which conversations belong to the brand and which belong somewhere else. What matters is that the reply sounds like the same brand that made the post, and that a question with a real answer gets one.

  1. Priya M.Is this available in a smaller size?
  2. ArcoYes — the drop runs from 48 to 58. The 48 is in stock now, and there is a size guide on the product page if you are between two.
  3. Priya M.Perfect, thank you. Between 50 and 52 honestly.
  4. ArcoThen the guide will help — it goes by reach, not height. Anything it does not answer, our team can size you properly over email.

And when it stops being a comment

An order problem, a return, anything with personal details in it: that moves to whoever actually handles it, quickly and by name, rather than being answered half-publicly by whoever is running the account.

What is covered, on which platforms, and within what hours is agreed per project. Nobody should be promised a reply at 3am by a page that has not agreed to staff it.

What it should be judged on

A follower count does not tell you whether the content worked.

Match the signal to what the post was actually trying to do.

Social media should be measured against what each piece of content was for. A post explaining how a product is used should be judged on saves, qualified questions and what people do next — not on likes. A post meant to start a conversation should be judged on replies and repeat participation. Reach and follower counts describe distribution, not whether anything landed.

  1. Explain how the product is used
    • Saves
    • Questions that show they understood
    • Visits to the product page
    • Watch-through where the platform reports it
  2. Start a conversation
    • Replies rather than reactions
    • People returning to a second thread
    • Comments worth answering
  3. Be found by the right people
    • Who is following, not how many
    • Profile visits from the right context
    • Messages that sound like the audience
  4. Support a launch
    • Traffic to the launch page
    • Questions moving to the buying kind
    • What sales say they are being asked

Not all of these are available on every platform, and what is reported changes. We agree what is measurable before agreeing what is being measured against.

What we will not do is report a number that flatters the work. A post can reach a lot of people and still fail to do its job, and saying so is the only way the next one gets better.

Two different jobs

Organic and paid are not better and worse. They are different work.

And the brand system underneath has to survive both.

Organic social builds a recurring presence, a voice and a relationship with people who chose to follow. Paid social buys distribution to people who did not, against a specific objective and budget. Most brands need both, and they are run differently enough that they are separate pieces of work — paid acquisition is its own service, not a section of this one.

Organic social — this page

  • A recurring presence people opt into
  • Brand voice and point of view
  • Community and replies
  • Content that compounds over months

Paid social — performance marketing

  • Distribution bought against an objective
  • Budget, targeting and optimisation
  • Creative tested for a conversion
  • Results that stop when spend stops
Performance marketing

Same brand, flexible content

Social is where a brand system gets stress-tested, because it has to make something new every week. What we work from is the brand as it exists — its type, colour, photographic language and voice — plus a small set of social-specific rules for the things guidelines rarely cover: how a caption sounds, what a video looks like, how the brand replies to somebody who is annoyed.

Branding & identity When the system itself needs building

Scope

What makes one social engagement bigger than another.

Mostly how much is being made, and how many places it has to work in.

Scope depends on how many platforms are in play, how much original creative is produced each month, whether video is included, whether community management is in scope and on what hours, how many approvals a post passes through, how many markets or languages are involved, and whether the engagement includes strategy and reporting or execution against a plan somebody else owns.

  1. PlatformsHow many, and how differently each is used
  2. Volume of creativeHow much original work is made each month
  3. VideoWhether short-form video is in scope, and who shoots it
  4. Community managementWhether replies are covered, and within what hours
  5. Approval layersHow many people a post passes before it runs
  6. Markets and languagesWhether the same content has to work twice
  7. Strategy depthWhether the plan is ours to make or to execute
  8. Existing assetsWhether there is photography and a brand system to work from
  9. ReportingHow often, to whom, and how deep
  10. CampaignsWhether launches sit on top of the recurring rhythm
Do we need to be on every platform?
No, and being on fewer properly is almost always better than being on all of them badly. The right set is decided by where your audience already is and where your content can genuinely be good — a brand with no video capacity should not be told it must be on short-form video until that is solved.
What we need from you
Whatever brand material exists, product information, access to the accounts, somebody who can answer questions about the business, and a named person who can approve. The last one matters more than most clients expect.
Who owns what
The accounts, the content and the assets are yours, and the accounts stay in your name throughout. Work is handed over with the files and the plan; what applies to a given engagement is written into its scope rather than assumed here.

Questions

Social media, answered.

What is social media marketing?
Planning and running a brand’s presence on social platforms: the strategy, the content, the platform-specific creative, the publishing, and learning from how people respond. What it should look like depends on what the brand needs social to achieve and where its audience actually is.
What does social media management include?
Typically: planning what to post, briefing and producing the creative, review and approval, scheduling and publishing, and handling the responses afterwards where community management is in scope. Exactly which of those are included is agreed per engagement.
Which platforms should we be on?
The ones where your audience already spends attention and where your content can genuinely be good. That is usually two or three, not all of them — and a brand with no way to make video should not be pushed onto short-form video until that is solved.
Do we need to be on every platform?
No. Being on fewer platforms properly is almost always better than being on every platform badly, because a neglected account reads as a neglected brand.
How often should we post?
There is no useful universal number. Frequency should be sustainable for the brand, appropriate to the platform, and high enough to keep a consistent presence without filling the calendar with weak content. Three good things a week beats seven of which five were filler.
Do you create the content, or just schedule it?
We create it — copy, design and short-form video according to scope — as well as planning and publishing it. Working to a plan somebody else owns is also possible, and it is a different size of engagement.
Do you make Reels and short-form video?
Yes, where it is in scope. What varies is who shoots the source material: sometimes we produce it, sometimes we edit and structure footage the brand already has, and sometimes it is a mix. That is agreed at the start because it changes the shape of the work.
Can you work with our existing brand?
Yes, and it is the normal starting point. We work from the brand as it exists and add the social-specific rules guidelines rarely cover — how a caption sounds, what a video looks like, how the brand replies to somebody who is annoyed.
How do approvals work?
One place to review, one deadline, one set of comments, then a revision if needed. The approval loop is what decides whether social runs smoothly, so it is agreed early — including who the named approver is.
Can you handle comments and replies?
Where community management is in scope, yes: replying to questions in the brand’s voice and moving anything that is really customer service to whoever handles it. What is covered, on which platforms and within what hours is agreed per project rather than implied.
What is the difference between organic and paid social?
Organic builds a recurring presence and a relationship with people who chose to follow. Paid buys distribution to people who did not, against a specific objective and budget. Most brands need both, and they are different enough to be run as separate pieces of work.
What is the difference between social media and performance marketing?
This service covers organic social — strategy, content, publishing and community. Performance marketing covers paid campaigns, media buying, targeting and optimisation against a conversion objective. They work well together and are scoped separately.
What is the difference between social media and content marketing?
Social is content made for, and native to, the platforms people are already on. Content marketing is broader — editorial, long-form, owned channels. Social often adapts from that work, and often produces material that feeds it.
What should social media be measured by?
By what each piece of content was for. A post explaining product use should be judged on saves, qualified questions and what people do next; a post meant to start a conversation on replies and repeat participation. Reach and follower counts describe distribution, not whether anything landed.
Can you guarantee followers or engagement?
No. Anyone guaranteeing follower numbers is either buying them or describing something they cannot control. What we commit to is content made properly, published consistently, and honestly reported — including when a piece did not work.
Can you guarantee something goes viral?
No, and we would be cautious of anyone who says otherwise. Reach at that scale is a platform decision. What can be done is making content genuinely worth sharing and giving it the best chance the format allows.
What determines the scope of a social media engagement?
How many platforms are in play, how much original creative is made each month, whether video is included, whether community management is covered and on what hours, how many approvals a post passes, how many markets are involved, and whether strategy and reporting are ours or yours.
What do you need from us?
Whatever brand material exists, product information, access to the accounts, somebody who can answer questions about the business, and a named person who can approve. The last one matters more than most clients expect.
Who owns the accounts and the content?
You do. The accounts stay in your name throughout, and the content and assets are yours. Handover includes the files and the plan.

Start here

Tell us what the business needs people to understand.

Not how many posts a week. That is the last question, not the first.

What you sell, and to whom
In your words, not the boilerplate
What people misunderstand
The thing you keep having to explain
Where your audience already is
And where you suspect they are not
What already exists
Brand material, photography, past content, accounts
Who can approve
One named person is enough